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Found: Male MinPin?, about 2 years old, not fixed, sweet, very smart, on Sept. 25 inside Floresville Walmart, healthy, no fleas, clean teeth, manicured nails, will keep if owner not found. 830-542-0280.
Found: Young male Black Lab, first week in October, wearing orange collar, friendly, on C.R. 158 off F.M. 2579. Call Jeanette at 830-391-4036 to claim.
Found: Ring during Elmendorf's National Night Out on Tues., Oct. 6 evening. Call Chief Pena at 210-635-8710.
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Help Wanted

Henry Howard Services is accepting applications for QUALIFIED and EXPERIENCED vacuum, end dump and winch truck drivers. Applicants must have a class A CDL with tanker endorsement. Hazmat endorsement preferred but not required. Call 830-569-8144 for more information or pick up an application at 980 Humble Camp Rd, Pleasanton, Texas 78064. 
ON-CALL CRISIS POOL WORKERS NEEDED. Part-time positions are available for after hours “on-call” crisis workers to respond to mental health crisis for Wilson and Karnes Counties. Duties include crisis interventions, assessments, referrals to stabilization services, and referrals for involuntary treatment services according to the Texas Mental Health Laws. You must have at least a Bachelor’s Degree in psychology, sociology, social work, nursing, etc. On-call hours are from 5 p.m.-8 a.m. weekdays, weekends and holidays vary. If selected, you must attend required training and must be able to report to designated safe sites within 1 hour of request for assessment. Compensation is at a rate of $200 per week plus $100 per completed and submitted crisis assessment, and mileage. If interested call Camino Real Community Services, 210-357-0359.
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South Texas Living

Polished Edge: Mick Jagger of ‘Crossfire Hurricane’ on HBO

Polished Edge: Mick Jagger of ‘Crossfire Hurricane’ on HBO

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Celebrity Q&A
November 14, 2012
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Q: How could you fit half a century of the Stones into a single documentary?

A: It was just too big of a project to do everything.

Q: How long were you working on it?

A: About a year.

Q: What were you going for?

A: It is kind of different from other projects. It is all about you -- you being the band. You are kind of like it is different from a normal thing. You still want to find a director that had some sort of vision and to approach the vision in an interesting way and not corny. Where you have been exactly before? And then let him get on with it. You say that and there is so much to do and get the footage to find things and then we set about this task of doing voice-overs without filming people without being embarrassed. We set all of those things up and let the director go on with it up until a point.

Q: What comes through is how awful the press was to you in the beginning. How do you describe it?

A: It was very hostile, with one or two exceptions. You had to play the game -- particularly in London. Most of it was very hostile; even the music press was pretty hostile, out and out ghastly. Our reaction was sometimes very funny, but if you had a bit of a long day (and) didn’t want to deal with that stuff, you were forced to, especially in the early days. Management wanted you to become well known. You were forced to do it.

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